As featured in Unfolded Magazine Issue 11
Thai-born pop artist, Pakpoom Silaphan, describes how "advertising
hoardings and posters became my environment" when growing up in
Thailand and his work explores the pervasiveness of corporate and
mass media through colourful collages and mixed media works.
Silaphan studied Fine Art at Silpakorm University in Thailand, and
worked in advertising for a period, before moving to London 15
years ago to continue his studies in fine art. Travelling back and
forth from Thailand to other countries, he saw parallels with
cultural icons, logos, media and advertising signs which led him to
think about globalisation and how it can shape our minds and
culture.
Using vintage Pepsi and Coca-cola hoardings and signs as his
canvas, Silaphan creates portraits of people he finds 'influential'
which in the past have featured Che Guevera, John Lennon and the
Queen. He tell us that when he first saw an image of Warhol in
Thailand, he at first "thought he was a mad scientist" because of
his White hair, before he came to "know more about his work." Some
of the works, which we saw at Moniker Art Fair, featured Warhol
pictured on top of advertising signs and used in collages.
He tells us "it reflects the infiltration of corporate
branding, pop art and western imagery" to the market and rural
Thailand where he grew up. There are also works featuring
Jean-Michel Basquiat, which also seeks to further explore the
dialogue between portraits of artists and popular
culture.
Silaphan lives and works in the same space and tells us about the
thought processes behind the Batman collage, "the background is
everyday newsprint" and he creates "collages of prints,
newspapers cuttings, paint and varnish" to show how a cultural
icon such as Batman can be randomly related to other people
and stories, as we all have the "same image of batman in our head"
and "together they form one image". The work explores how
people recognise familiar things, as seen with the Elvis Presley
and the image of his hair juxtaposed against vivid colour and
images of famous people, politicians and actors that alludes to a
globalised view of the world - "how we are all connected".
"People will have their own interpretation of my work," and "Elvis
is quite big in Thailand." If you ask anybody to "draw Elvis,
the first thing that is recognisable is the hair", for others the
symbol "may be something else", the Rock and Roll music, the
gyrating hips, the loud and ornate suits.
Colour is important. When he moved to London, he tells us how he
"had to learn everything again so rather than trying to understand
everything, I used symbols and colours to remember." Especially
when he "first started trying to navigate the London Underground,"
which can still be a "difficult task for most people", he
says with a laugh. "Symbols may be more important than language."
Ultimately, in his art there is "a common ground that people
can see through my work and of symbols", images in general are "all
part of popular culture" and "become a language."
The work in a way tells us how Silaphan, in inhabiting two very
different cultures, grew up with the same backdrop of imagery,
symbols and logos. Of future work, Silaphan is working on some more
pieces in this series and will seek to "explore the subject of
diversity and direction."
Interview and Portraits: Nardip Singh
Images of artworks supplied with kind permission by
Scream London, Copyright © Pakpoom Silaphan
www.screamlondon.com